The can is held close to her lips, but she is not drinking. She is paused in the millisecond before the sip. This is the "anticipatory moment"—the romantic equivalent of two characters leaning in for a kiss before their eyes close.
Pepsi’s branding shifted toward the visceral. Their slogan, "Nothing Else is a Pepsi," implied a dangerous exclusivity. They needed a face that embodied cool detachment, intellectual hunger, and raw physicality. They found her in Uma Thurman. pepsi uma sex photo
In one famous 30-second spot, Thurman plays a spy. A handsome enemy agent (played by a pre-fame Benicio del Toro type) corners her. He holds a gun to her back. She holds a Pepsi. Instead of a line of dialogue, she calmly takes a sip. The sound of the carbonation fizz is the only audio. The agent lowers his gun, mesmerized. He whispers, "Is it good?" The can is held close to her lips, but she is not drinking
It was absurd. It was brilliant. It was, for ten fleeting years, the most sophisticated romance in advertising. Pepsi’s branding shifted toward the visceral
She turns, offers him the can. Their fingers touch.
The brief, leaked in a 1999 industry retrospective, described the consumer’s relationship with Pepsi as a "guilty pleasure"—a secret rendezvous away from the judgment of water or diet soda. Uma was cast as the "Other Woman" in this metaphor.
Artists on Tumblr and Pinterest have re-contextualized the Uma/Pepsi images as "high femme nihilism." Fan fiction writers have spun entire novellas where the protagonist finds a discarded Pepsi can and hallucinates Uma Thurman’s reflection in the condensation.