Rebecca (Eva Green) and Tommy (Matt Smith) share a childhood bond of pure, innocent obsession. They are separated when Rebecca’s mother moves them away to Japan.

Womb is a film that stays with you. Years after watching, you will remember the look on Rebecca’s face when she stands naked in the North Sea. You will remember the final shot—the ultimate price of cloning love.

Directed by Benedek Fliegauf, Womb (originally titled Womb in English and Gloomy Sunday in some territories) is not your typical science fiction film. It is a slow-burn, philosophical tragedy disguised as a cloning drama. Starring Eva Green and Matt Smith, the film asks a terrifying question: How far would you go to love someone again?

Womb is not the best film you will ever see. It is the best film you will never want to see again.

The keyword is not just a search query; it is a mission statement. You are not looking for mindless entertainment. You are looking for art that challenges, disturbs, and moves you.

Driven by grief, Rebecca uses a controversial scientific process. She takes a cell sample from Tommy’s dead body and decides to clone him . But not in a lab. She volunteers to be the surrogate mother, carrying Tommy’s clone in her own womb.