One morning, while checking his fence line, he stumbles upon a woman’s foot sticking out of the melting ice. He digs her out. She is beautiful, young, and dead. Rather than contact the gendarmerie, Marcel brings her home. He bathes her frozen limbs. He puts her in his late wife’s nightgown. He sets a plate for her at dinner. He dances with her stiff body in the living room to a crackling radio.
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For students of cinema, extreme horror, or European art film, tracking down is a rite of passage. It is a reminder that the most terrifying things are not monsters or ghosts, but the lonely heart of a man when the snow finally melts. One morning, while checking his fence line, he