Short, Easy Dialogues

15 topics: 10 to 77 dialogues per topic, with audio

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February 22, 2018: "500 Short Stories for Beginner-Intermediate," Vols. 1 and 2, for only 99 cents each! Buy both e‐books (1,000 short stories, iPhone and Android) at Amazon (Volume 1) and at Amazon (Volume 2). All 1,000 stories are also right here at eslyes at Link 10.


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Dec. 18, 2016. All 273 Dialogues below are error‐free. NOTE: The number following each title below (which is the same number that follows the corresponding dialogue) is the Flesch‐Kincaid Grade Level. See Flesch‐Kincaid or FREE Readability Formulas, or Readability‐Grader, or Readability‐Score. These grade levels are not "true" grade levels, because the dialogues are not in "true" paragraph form (because of the A: and B: format). However, the grade levels are true in the sense that they are truly relative to one another.


Kumbalangi Nights !exclusive! | Official & Deluxe

In an era of superheroes and explosions, this tiny Malayalam film from a quiet village in Kochi teaches us the most radical lesson of all: It is okay to not be okay. And it is never too late to come home. Streaming availability varies by region, but is widely available on Amazon Prime Video and other OTT platforms. Watch it with subtitles—the lyrical Malayalam dialogues lose none of their punch in translation.

Shammi is the antagonist, but not the villain in the classic sense. He is a "civilized" urbanite who believes in martial law at home. His toxic, obsessive, and violently patriarchal nature stands in stark contrast to the raw chaos of the four brothers. The film’s explosive climax, set during a stormy night, forces the brothers to finally unite against a common, chilling enemy. No discussion of Kumbalangi Nights is complete without celebrating Fahadh Faasil’s performance as Shammi. Initially, Shammi appears charming—a proud nationalist who loves his mother and maintains a spotless house. But cracks appear slowly. Kumbalangi Nights

The cinematography in is masterful. The film uses wide shots of the stagnant, dark water to mirror Saji’s internal despair. The rain is constant—not romanticized, but suffocating. The house the brothers live in is half-dilapidated, a physical manifestation of their broken family structure. In an era of superheroes and explosions, this

Yet, there is immense beauty. The sequence where Franky and Babymol sit by the water at sunset, or the final shot of the brothers laughing on a boat as the camera pulls back to reveal the vast, tranquil backwaters, serves a crucial purpose: serves a crucial purpose:



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