“The audio is out of sync.” Fix: This release uses DTS. Some budget TVs require transcoding to AC3. Use MKVToolNix to remux the file or let Plex/Emby transcode on the fly.
In space, no one can hear you scream. Cuarón deliberately uses silence and muffled bass. The DTS track preserves the bone-rattling subwoofer hits when debris strikes the station, as well as the claustrophobic breathing inside Bullock’s helmet. x264 – Video Codec The workhorse of high-definition video. x264 is an open-source encoder that implements the H.264/MPEG-4 AVC standard. Gravity.3D.2013.1080p.BluRay.Half-SBS.DTS.x264-PublicHD
If you still own a 3D television or a VR headset, seek out this exact encode. Play it in a dark room. Turn up your subwoofer. And experience the harrowing silence of space as Cuarón intended: in full stereoscopic depth, with the debris rushing right past your face. “The audio is out of sync
“I see ghosting (double images) during bright scenes.” Fix: This is crosstalk. Lower your TV’s “3D Depth” or “Parallax” setting. Alternatively, try active shutter glasses instead of passive if your TV supports both. In space, no one can hear you scream
Unlike post-converted 3D movies, Gravity was shot with a custom-built rig that mimicked the human ocular distance in zero-gravity environments. The long, uninterrupted takes (famously the 17-minute opening shot) were designed to exploit depth perception. The vast emptiness of space, the debris field hurtling toward the camera, and the intimate close-ups inside the ISS visor all rely on stereoscopy to induce vertigo and claustrophobia simultaneously.