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A character receives bad news. Cut to their reaction, but for 2 frames, insert a black frame. The audience won’t consciously see the black flash, but they will experience a micro-second of disorientation—identical to the character’s shock.

For scene transitions, bring in the audio of the next scene 15-20 frames before the video cut (J-Cut). Then, hold the video of the previous scene for 10 frames after the audio changes (L-Cut). This creates a cognitive overlap where the viewer’s brain seamlessly blends two locations.