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When Linda Lovelace unzipped the cultural straitjacket of the early 1970s with the original Deep Throat , she didn't just change cinema; she detonated the Sexual Revolution. The 1972 original was a low-budget anomaly that grossed over $600 million in today's money, making it one of the most profitable independent films ever made.

Because Deep Throat Part II marks the moment the "Top" of the golden age began to rot. By 1974, the Mafia had fully infiltrated the "Top" production companies. Deep Throat Part II was financed by organized crime. Unlike the scrappy indie spirit of the 1972 original, the sequel feels corporate and cynical. The "top" quality of film stock and lighting improved, but the soul was gone. 2. The Shift from Sexploitation to Hardcore The original Deep Throat was a comedy that happened to have sex. Part II is a porno that happens to have jokes. This shift alienated mainstream audiences who had flocked to the first film out of curiosity. 3. The Tragic Legacy of the "Top" Star Linda Lovelace claimed in her autobiography Ordeal that she was coerced into the first film. By the time Part II was proposed, she had escaped that life. Her refusal to participate fully (despite the producers using her image) signals a rare moment of agency. The "top" billing on the poster is a lie—a ghost. Where is "Deep Throat Part II" Now? For decades, Deep Throat Part II was considered a "lost" film. Because of its controversial nature and the legal battles over copyright (the original Deep Throat was famously banned in 23 states), the sequel fell into public domain hell. deep+throat+part+ii+top

Just don't expect the magic of the original. Expect sleaze, satire, and a fascinating footnote in film history. This article is intended for historical and informational purposes regarding film history and the adult entertainment industry of the 1970s. Content referenced is for readers of legal age in jurisdictions where such discussion is permitted. When Linda Lovelace unzipped the cultural straitjacket of

But sequels are inevitable. By 1974, the demand for a follow-up was deafening. Enter (also known as Deep Throat Part II: The New Girls ). While the original introduced the world to Linda Lovelace, the sequel introduced a new cast of "top" tier talent and a darker, more satirical plot. But what makes this sequel a strange, forgotten gem? Who were the "top" performers who tried to fill Lovelace's heels? By 1974, the Mafia had fully infiltrated the