This trope has been adopted by mainstream popular media. For example, in high-budget streaming series like White Lotus or Succession , scenes in limousines or yachts serve the exact same purpose as they do in the Blacked universe: to create a pressure cooker of class, race, and sexual tension.
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Liya Silver’s performance in the Cruising series is often cited by cinematography forums as an example of "motivated lighting" and "blocking in small spaces." When she adjusts the rearview mirror or looks out the passenger window, every movement is choreographed for the camera, not just the other actor. This trope has been adopted by mainstream popular media
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